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The wall paintings of Smíšek chapel in the Church of Saint Barbara in Kutná Hora
Škrancová, Markéta ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
The wall paintings of Smíšek chapel in the Church of Saint Barbara in Kutná Hora The Bachelor thesis presents wall paintings of the Smíšek chapel in the Church of Santa Barbara in Kutná Hora. The main part of the thesis will be especially focused on iconographic description of paintings and art orientation of the artist. At the first the chapel is shortly described then is presented the complicated iconograpic plan of paintings. In the next part the date is delineated when paintings were made. Very important part is a question about nationality and art orientation of the artist. Right here is a place mainly for foreign influence which undoubtably affects the artist. This Bachelor thesis presents the used knowledge and their evaluation.
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Altarpieces of the Virgin Mary from the collection of Tommaso degli Obizzi in the National Gallery in Prague
Honysová, Dominika ; Jarošová, Markéta (advisor) ; Šmied, Miroslav (referee)
The aim of the thesis is to evaluace the altars with the central theme of Our Lady of Italian prohnance of the 14th and 15th centuries from the collection of Tommaso degli Obizzi, today in the National Gallery in Prague. The introduction will be assessed for czech and foreign literature on the topic. Then will be recalled the circumstances of the origin of this collection and the way how these works came from Konopiště chateau to the National Gallery in Prague. Next part of the thesis will be focused on five altarsplates, which will be interpreted by formal. Thes e works will be processed accordingly katalog system. Finally, work will evaluace those works and thein importance in the kontext of collecting in a wider context.
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Study of selfpresentation of artist in the Italian painting of the 16th century
Vítová, Kateřina ; Konečný, Lubomír (advisor) ; Zlatohlávek, Martin (referee) ; Zapletalová, Jana (referee)
Study of self-presentation of artist in the Italian painting of the 16th century - abstract Italian art of the 16th century, known as the Cinquecento, is undoubtedly a captivating chapter of art history. No less interesting are the lives of artists from that time, the understanding of self-value and its presentation, creating the artist's identity, i.e. their "artistic self". Within a century we may observe the transformation from a craftsman to an artist, and subsequently artist- the courtier. The main representatives of this "movement", trying to raise the status of arts and artists in the society, were Giorgio Vasari and Federico Zuccari. Each represented a different generation of artists; however, figures of both these painters are complemented in a curious way. There are moments when their lives meet and, in a certain way, follow one another. It is one of the reasons, why the connection Vasari-Zuccari is suitable for understanding social situation or the self-presentation of central Italian artists in the 16th century. It is almost as if this duo was representing a fictitious art figure of the Cinquecento, whose life began 1511 (with the birth of Giorgio Vasari) and ended in 1609 (with the death of Federico Zuccari) and by studying this figure we discover the development of artists' self-concept and...
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The wall paintings of Smíšek chapel in the Church of Saint Barbara in Kutná Hora
Škrancová, Markéta ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
The wall paintings of Smíšek chapel in the Church of Saint Barbara in Kutná Hora The Bachelor thesis presents wall paintings of the Smíšek chapel in the Church of Santa Barbara in Kutná Hora. The main part of the thesis will be especially focused on iconographic description of paintings and art orientation of the artist. At the first the chapel is shortly described then is presented the complicated iconograpic plan of paintings. In the next part the date is delineated when paintings were made. Very important part is a question about nationality and art orientation of the artist. Right here is a place mainly for foreign influence which undoubtably affects the artist. This Bachelor thesis presents the used knowledge and their evaluation.
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